明韻清情 ─ 饒宗頤教授明清諸家筆意書畫展

明韻清情 ─ 饒宗頤教授明清諸家筆意書畫展 posted by Jao Tsung-I Petite Ecole for HKU and Public Event Type: Exhibition Event Nature: Culture and Arts Event Details明韻清情 ─ 饒宗頤教授明清諸家筆意書畫展 近代一些中國書畫史學家認為，中國書畫在宋、元兩代是一個開創的年代，而明、清兩代則漸趨於保守及以擬古為風尚，但饒宗頤教授對這一觀點不盡認同。在其〈論書十要〉中，有一段就指出：「明代後期書風丕變，行草變化多闢新境，殊為卓絕，不可以其時代近而蔑視之。倘能揣摩功深，於行書定大有裨益。」在繪畫方面，饒教授在〈從明畫論書風與畫筆的關聯性〉一文中就說道：「明代上承元人遺緒，書與畫的結合，比宋代又推進一步。趙孟頫已提出『石如飛白木如籀』的寫法，倪迂折帶皴，以側筆取姿，王蒙雜樹簡直是以草法入畫（指「青卞隱居圖」），這些是眾所周知的例子。」他對明、清兩代，尤其明遺民的書畫風格，研究甚深，亦用他們的技法作基礎，開創自己的風格。明末張大風，陳老蓮，八大，石濤等人對他的畫法影響極深。 這次展覽選取他部份以明、清人筆意所作的書畫，從中顯示他是如何從古人筆意之中，轉入「我之為我，我自有我法」的境界。 The Charm of the Ming & Qing Dynasties in the Paintings and Calligraphy by Professor Jao Tsung-i Some contemporary Chinese art historians regard that the Song and Yuan dynasties are the eras of developing painting and calligraphy, and the Ming and Qing dynasties are a period of conservation and imitation. However, Professor Jao Tsung-i is not a follower of this theory. In The Ten Essentials of Chinese Calligraphy, he states, “The period of the late Ming dynasty is a time of change in calligraphic style, and many new approaches were developed both in running and cursive script. Nevertheless, we should not despise this development because it took place only several centuries ago. If we can carefully analyze these manners and make effort in practicing, there must be great advantages.” On the aspect of painting, as Professor Jao indicates in The Association between Styles of Calligraphy and Painting of the Ming Dynasty, “Painters of the Ming dynasty inherited the essence of the Yuan painters, and the complementary relationship was more advanced than that of the Song dynasty. Zhao Mengfu first proposed the idea that ‘the brushwork of rock painting should resemble that of the flying white calligraphic technique, and the painting of trees should be similar to the brushwork of large seal script. Ni Zan’s bent-ribbon stroke is actually the use of lateral brush movement, and Wang Meng painted trees with the techniques of cursive script.’ Those are well known examples.” Professor Jao has a deep study in the painting and calligraphic style of the Ming leftover subjects, and he has created his own technique based on these styles. Zhang Feng, Chen Hongshou, Bada Shanren, and Shitao especially affected his artistic style. This exhibition selected part of his paintings and calligraphic works in the style of the Ming and Qing dynasties. From these works, we can see how he has developed his own way on the foundation of previous masters. 明韻清情 ─ 饒宗頤教授明清諸家筆意書畫展 日期：2014年7月4日 - 8月15日 時間：星期一至五 上午十時至下午五時 (公眾及大學假期休息) 地點：香港大學饒宗頤學術館 (香港薄扶林香港大學鄧志昂樓) 電話：3917 5598 The Charm of the Ming & Qing Dynasties in the Paintings and Calligraphy by?Professor Jao Tsung-i Date: 4 July – 15 August 2014 Time: Mon to Fri 10am - 5pm (closed on public holidays & university holidays) Venue: Jao Tung-I Petite Ecole, The University of Hong Kong (Tang Chi Ngong Building, HKU) Telephone: 3917 5598 Date/Time 04/07/2014 to 15/08/2014 10:00-17:00 Venue 香港大學饒宗頤學術館 (香港薄扶林香港大學鄧志昂樓) Jao Tung-I Petite Ecole, The University of Hong Kong (Tang Chi Ngong Bui Language Bilingual Registration InstructionRegistration is not required. Contact InformationShould you have any enquiries, please feel free to contact Ko Man Yee by email at komanyee@hku.hk About article is from ... 明韻清情 ─ 饒宗頤教授明清諸家筆意書畫展  : http://hkuems1.hku.hk/hkuems/ec_hdetail.aspx?guest=Y&UEID=31727